Computer coding has been a theme of several recent deals marrying licensed entertainment/character properties with educational digital content focused on basic programming skills. Since November 2015: Disney and Lucasfilm partnered with Code.org for a Star Wars tutorial that educates kids on writing code; Code.org has previously worked with Disney on similar programs involving Frozen and […]
Archive | Character/Entertainment
Fostering Acceptance
By Karen Raugust on January 25, 2016 in Branding/marketing, Character/Entertainment, Content, Licensing
Over the past few years, a handful of catalogs and marketing campaigns have featured models with special needs, such as Down’s syndrome or physical disabilities. In general, the intent is not to call attention to these conditions, but simply to better represent the diversity of the marketers’ customer base. Examples have ranged from a Target […]
Some Thoughts on Star Wars
Visits to a wide range of retail stores in New York and the Twin Cities in December confirmed the degree to which Star Wars is dominating shelf and floor space this holiday season. Not surprisingly, Star Wars products prevail at mass chains, including storewide at Target and in Walmart’s toy department (with Star Wars and […]
Chinese Children Cherish Licensed Publishing
By Karen Raugust on December 10, 2015 in Character/Entertainment, International, Licensing, Publishing
Three of the seven best-selling children’s book series in China at the moment are based on licensed properties, and they may not necessarily be the ones you would expect. Two are tied to global brands. China Children’s Publishing offers books based on the mobile game Plants vs. Zombies, licensed by Electronic Arts’ PopCap Games division, […]
Getting Cosy with Emoji
The trend for emoji-related intellectual properties becoming available for licensing, which started to gain traction a year or more ago, initially focused on newly created brands. Examples included those with roots as emojis, such as LINE Friends from Japan, Tuzki from China, or The Emoji Company’s Emoji trademark, as well as those inspired by emojis, […]
A Starring Role for Single Episodes
Entertainment IP owners are keeping their licensing programs fresh by developing limited merchandise arrays based on specific episodes of their TV series. A number of factors dictate the viability of these efforts: Unexpected demand. Cartoon Network licensee Cryptozoic created a board game called Card Wars, which brought to life a game played in a breakout […]
No Longer Niche?
As little as a year ago there was skepticism as to whether streaming-only entertainment properties, without TV, film, or franchise backing, would be viable for licensing any time soon. This perception is changing quickly. It is not yet known whether widespread licensing programs tied to shows available only on Netflix, Hulu, Amazon Prime, and the […]
Cartoons for Coping
Emotional intelligence, or EQ, is the ability to express and control one’s own emotions, as well as interpret and respond to the emotions of others. In the last year or so, it has become an emerging theme for entertainment and consumer products targeted at preschoolers. Some of the EQ-centric preschool initiatives in the news since […]
Asian Licensors Look Abroad
Entertainment properties from the key Asian territories of Japan, China, and Korea have been strengthening their focus on international territories of late, both in other Asian countries and beyond. The classic Japanese preschool property Anpanman, a book-based TV series that is estimated to drive $1 billion or so in retail sales of licensed goods each […]
Science to Go
Traveling science-themed educational exhibits, which live at the intersection of the STEM and experiential-licensing trends, continue to represent an opportunity for appropriate entertainment franchises. Successful properties in this realm are not always educational, or even strongly science-themed, as two of the most recent examples attest. The first is Fox’s Ice Age, which has some loose […]